Mike Vickers' Blog

February 23, 2019

James MacMillan and Colin Currie – made in Scotland

Filed under: Cumnoch Tryst, economics, Education, Music, St Petersburg, World Class — derryvickers @ 7:32 am

Last night, the Scottish Chamber Orchestra (SCO) performed a 60th Birthday concert for James MacMillan: MacMillan conducting two of his pieces Veni, Veni, Emmanuel and Seven Last Words from the Cross.

There was also a short introductory piece by Part. The Seven Last Words from the Cross (1992) was a choral piece and was well done, the SCO Choir gave their best, but I’m not a fan of Choral Works.

But the Veni, Veni, Emmanuel was something out of this world. Colin Currie was stupendous on percussion. Playing everything from snare drums, foot drum, xylophone, vibraphone, dancing everywhere. Excellent backing from the SCO. MacMillan used every possible woodwind instrument and even the strings to provide a deep sound.

What MacMillan has done is to completely integrate modern / jazz with percussion into the classical symphony repertoire.

But in another way, in his Cumnock Tryst, he has brought classical music to the people of Scotland. He established his tryst in Cumnock, an old mining town in Ayrshire, some five years ago and brought a new life to it. OK, just four days a year in the Autumn but the local musicians practice the whole year for the event: He involves the whole town. Last year, the theme was the First World War and to me the centre piece was ‘All the hills and vales alone’ (https://www.thecumnocktryst.com/all-the-hills-and-vales-along) using a forgotten poem by a forgotten Scottish poet Charles Hamilton Sorley. MacMillan brought in singers such as Ian Bostridge, but the choir was local, and the orchestra was the Dalmellington Brass Band backed by the Scottish Ensemble. He was taking the piece on to London where they would use the London Symphony Orchestra.

If we want, in West Lothian, to see what Modern Classical Music can do for our Core Development Towns then we could persuade MacMillan and Currie to give Veni, Veni, Emmanuel in Livingston with the orchestra being one of its many brass bands: he has the skills to transpose the music to brass band as demonstrated with ‘All the hills and vales alone’. Sorry, I may sound pejorative but I’m not. One has only to think of perhaps the greatest symphony of all, Shostakovich’s Symphony No. 7 played first (almost) to a packed audience in bombed out and besieged Leningrad in 1942.

Free Music Tuition for Schools is a ‘hot potato’ in Scotland , butget’s are short and tuition fees are an easy target.  West Lothian has come to a reasonable compromise with the those that can pay do pay and those that can’t go free.  But people get a kick out of music, and Veni, Veni, Emmanuel is just one that could bring the whole community together, rather than ‘Them and Us’.  The Concert last night at the Queens Hall was filled with the ‘Usual Suspects’ but there were at least 20 children near the back.

 

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February 14, 2019

Babel – and addition

Filed under: Brexit, Europe, History in the making, Music, Politics — derryvickers @ 5:10 pm

I should have included in my last blog the display flashed up during the Babel piece

Brexit cannot be neutral

Not just Venezuela but equally true of Brexit

February 13, 2019

Babel – a piece by the Venezuelan Pianist and Composer Gabriela Montero

Filed under: Music, Politics, War — derryvickers @ 9:29 pm

 Babel

 We have just been to a concert given by the Scottish string orchestra, the Scottish Ensemble.

The programme was called Babel after a new composition by Gabriela Montero and focused on the interplay between Music and Politics.  The music covered the modern period from Shostakovich, Glass, Vasks, and finished with Messiaen ‘Quartet for the End of Time’.  Messiaen wrote it while a prisoner in a German war camp and played it at a camp ‘concert’; the piece this evening was transcribed just for violin and piano; the violin, played by Jonathan Morton leader, sang out piercingly above the piano, played by Montero and you could hear the proverbial pin drop.  Written I understand for cello, violin, piano and clarinet certainly didn’t suffer for the transcription.

The Shostakovich was his Chamber Symphony written after the death of Stalin and a lot freer because of it ;  while the Philip Glass featured two violins first in dissonance but finishing in harmony but backed by the full strings. The Vasks in contrast brought in the Environment and very much the personal.

 But the centre piece was written and played by Gabriela Montero called ‘Babel’ and the music centred around political unrest in Venezuela.  Montero is Venezuelan and present-day Venezuela hurts her, and this piece of music was written before the latest turbulent event. The piece is for piano with Montero playing piano and for strings, the Scottish Ensemble being a string orchestra made the most of it; hurt mixed with laughter.

The Scottish Ensemble wins hands down of all the orchestras we go to.  They act as one and clearly enjoy playing together, as they did this evening.  A lot of this night’s music was painful, the Messiaen in particular, while the Vasks piece had a serenity and the Glass had a rhythm and repetition that mirrors the modern world.   We were asked to hold off clapping till the end but when the end came the applause was overwhelming.  This was enhanced by Gabriela Montero pulling out of dress a Venezuelan Flag and bowing; the audience was cheered.

 Gabriela Montero talking on her new piece if you would like at

 https://scottishensemble.co.uk/magazine/venezuelan-pianist-gabriela-montero-discusses-her-new-piece-babel/

 

February 10, 2019

Elizabeth Warren runs for President of the US

Filed under: History in the making, Left Politics, USA — derryvickers @ 8:11 am

Here  she goes

If she achieves domination for the Democratic Ticket she will give Trump a run for his money

Lovely set of pictures

https://www.theguardian.com/artanddesign/gallery/2019/feb/09/elizabeth-warren-launches-2020-presidential-campaign

February 8, 2019

Brexit – A Way Forward?

Filed under: Brexit, Politics — derryvickers @ 7:50 am

I’m against BREXIT if only because I can remember WW2 and to me the existence of EU is an insurance against another major war in Europe.

And we are part of Europe however much the UK government believes we are an island apart.

We gain by being in the EU and I travel often to Italy (which itself is going through a difficult period)

I note:

Mr Tusk said yesterday: “I’ve been wondering what a special place in hell looks like for people who promoted Brexit without even a sketch of a plan how to carry it out safely.”

I could follow this with the tweet by Mr Verhofstadt on the Brexiters:

“Well, I doubt Lucifer would welcome them, as after what they did to Britain, they would even manage to divide hell.”

Jeremy Corbyn’s five tests (tests look better than May’s red lines) in his letter to Theresa May:

  • A “permanent and comprehensive UK-wide customs union”, including a say in future trade deals.
  • Close alignment with the single market, underpinned by “shared institutions”.
  • “Dynamic alignment on rights and protections”, so that UK standards do not fall behind those of the EU.
  • Clear commitments on future UK participation in EU agencies and funding programmes.
  • Unambiguous agreements on future security arrangements, such as use of the European arrest warrant.

 

These are all good, but I regret that Corbyn says nothing on Migration even of EU citizens.  Not surprising given what I have written above; EU Migration is, to me, the most serious issue of Brexit.  Even where we are now we failed to join Schengen.

I do not agree that the UK will NOT recover from Brexit: of course it will, as indeed will Scotland; but why go through the depression.

I agree with the article in the Guardian by Gina Miller

https://www.theguardian.com/commentisfree/2019/feb/06/theresa-may-plan-doomed-deal-work-donald-tusk

Gina Miller is the lady who took the Westminster Executive to the Supreme Court and won.   The UK parliament does have a vote in the Brexit Deal.

Anyway, Miller’s proposal in her ‘letter’ to May looks to have benefit.  Odd that she brings up Cameron’s agreed changes to the UK’s position in relation to the EU and those all look a sensible balance in hindsight.
She writes:

I implore you to seek to restart the constructive dialogue that your predecessor, David Cameron, began with Donald Tusk, the president of the European council, which showed real promise in terms of addressing the issues that were, just a few months later, to dominate the referendum debate.”

She agrees that the EU needs reforming and how better to do so than from the inside; a point made by Gordon Brown.

In my view:

  • Brexit will occur. A second referendum will come to the same conclusion as the first.
  • Exit Day needs putting back to the end of the year
  • The Tusk Package agree by Cameron could form the heart of the new deal
  • Corbyn’s five requirements need to be incorporated.
  • But they must be augmented by a sixth: the free movement of European citizens.  A Brexit meeting I went to last week Mike Russell stated that Scotland needs immigrants from Europe to fill vital jobs and pay taxes; and it’s not just the top ones.

Looking at the Cameron / Tusk Deal, On Immigration it stated

On in-work benefits: The Council would authorise that Member State to limit the access of newly arriving EU workers to non-contributory in-work benefits for a total period of up to four years from the commencement of employment. The limitation should be graduated, from an initial complete exclusion but gradually increasing access to such benefits to take account of the growing connection of the worker with the labour market of the host Member State. The authorisation would have a limited duration and apply to EU workers newly arriving during a period of 7 years.”

This looks to as a sensible balance and something that the Leavers might accept and would satisfy me as a Remainer.

You can find the BBC reporting of the Tusk Deal at:

https://www.bbc.co.uk/news/uk-politics-eu-referendum-35622105

The UK has lost its sense of Balance.

And, as one brought up South of the Border and drowning in ‘English’ history, Balance has been one of the good aspects of English Democracy as it has evolved since Magna Carta and even before.

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